{"created":"2023-05-15T12:05:42.493818+00:00","id":83,"links":{},"metadata":{"_buckets":{"deposit":"a40124dd-bdad-4eb0-8e7b-6cb73cba797c"},"_deposit":{"created_by":3,"id":"83","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"83"},"status":"published"},"_oai":{"id":"oai:mukogawa.repo.nii.ac.jp:00000083","sets":["245:260"]},"author_link":["238"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2011-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"106","bibliographicPageStart":"99","bibliographicVolumeNumber":"58","bibliographic_titles":[{"bibliographic_title":"武庫川女子大学紀要. 人文・社会科学編"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Chuo-ginko Club（1935） is the first public architecture by Arata Endo in Shinkyo, Manchria. This club is very different from his famous work; Koshien Hotel（1927） in Japan from the view point of the decorative method. At that moment, Japanese architects should represent the Japanese character in their works as the national architects mostly in the territory under Japan control in modern age until the end of World War Second. Hence Endo should also do so in Shinkyo. I will exam Endo’s concept for Chuo-ginko Club to clarify his original method, which might be deferent from his master; Frank Lloyd Wright’s one and might deeply connect with the traditional Japanese aesthetic theory.","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14993/00000077","subitem_identifier_reg_type":"JaLC"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10187266","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0916-3115","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorAffiliations":[{"affiliationNameIdentifiers":[{"affiliationNameIdentifier":""}],"affiliationNames":[{"affiliationName":"","affiliationNameLang":"ja"}]}],"creatorNames":[{"creatorName":"黒田, 智子","creatorNameLang":"ja"},{"creatorName":"クロダ, トモコ","creatorNameLang":"ja-Kana"},{"creatorName":"KURODA, Tomoko","creatorNameLang":"en"}],"familyNames":[{},{},{}],"givenNames":[{},{},{}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-09-25"}],"displaytype":"detail","filename":"P099-106.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"P099-106.pdf","url":"https://mukogawa.repo.nii.ac.jp/record/83/files/P099-106.pdf"},"version_id":"ebeae2ef-3956-43f0-93cb-d550a548af1a"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"遠藤新の建築論における基本的特質Ⅰ ―中央銀行倶楽部における大陸性と日本性―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"遠藤新の建築論における基本的特質Ⅰ ―中央銀行倶楽部における大陸性と日本性―"},{"subitem_title":"A Study on the Concept of Theory for Architecture by Arata Endo - The Chinese and the Japanese Character of Chuo-ginko Club -","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"3","path":["260"],"pubdate":{"attribute_name":"公開日","attribute_value":"2012-04-16"},"publish_date":"2012-04-16","publish_status":"0","recid":"83","relation_version_is_last":true,"title":["遠藤新の建築論における基本的特質Ⅰ ―中央銀行倶楽部における大陸性と日本性―"],"weko_creator_id":"3","weko_shared_id":3},"updated":"2024-04-04T07:17:08.844128+00:00"}