@article{oai:mukogawa.repo.nii.ac.jp:00002491,
 author = {﨑山, ゆかり and SAKIYAMA, Yukari},
 journal = {武庫川女子大学紀要, The bulletin of Mukogawa Women's University},
 month = {Mar},
 note = {Research on automating the Kestenberg Movement Profile （KMP） is now in its fifth year. Three types of input devices for drawing rhythm lines, which are essential for automation, were produced by IT specialists. In studying the specifications of these input devices, the issue of the notator?s physical familiarity with the device surfaced, which had not been noticed at first.
　In the original method of rhythm line notation, the notator first holds the pen and concentrates on the client on the screen. The notator then uses their own Kinesthetic Empathy to feel the rhythm of the movement and draw the rhythm lines, attuning into the various rhythms in breathing and movement. Comparing the notator?s physical sensation among these approaches of drawing rhythm lines with one another, it was quite different. While specifically discussing the differences, the author focused on Kinesthetic Empathy as the underlying concept. The five approaches that lead to Kinesthetic Empathy in a previous study were replaced with the approach used when operating the input devices.
　Since this is based solely on the physical sensations of the individual author, further research is needed to target multiple notators in the future. However, as a future vision for the automation research of KMP, the author could find a new theme, such as the construction of a learning system that can quantify and demonstrate the establishment of Kinesthetic Empathy.},
 pages = {31--38},
 title = {ケステンバーグムーブメントプロフィールの自動化に伴う入力装置使用時の記譜者の身体的共感に関する検討},
 volume = {70},
 year = {2023},
 yomi = {サキヤマ, ユカリ}
}