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ケステンバーグムーブメントプロフィールにおけるリズムラインの記譜を伴わない簡易型分析法の試み
https://doi.org/10.14993/00002273
https://doi.org/10.14993/000022735ac0bd41-2872-4d7c-8bb7-bcafc5e0dbd4
| 名前 / ファイル | ライセンス | アクション |
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P21-28.pdf (1.4 MB)
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| アイテムタイプ | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
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| 公開日 | 2022-04-15 | |||||||||||
| タイトル | ||||||||||||
| タイトル | ケステンバーグムーブメントプロフィールにおけるリズムラインの記譜を伴わない簡易型分析法の試み | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | A Pilot Study of a Simplified Analytic Approach in the Kestenberg Movement Profile without Notating Rhythm Lines | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| ID登録 | ||||||||||||
| ID登録 | 10.14993/00002273 | |||||||||||
| ID登録タイプ | JaLC | |||||||||||
| アクセス権 | ||||||||||||
| アクセス権 | open access | |||||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_abf2 | |||||||||||
| 著者 |
﨑山, ゆかり
× 﨑山, ゆかり
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | The Kestenberg Movement Profile（KMP） is a method of analyzing movement based on psychoanalytical developmental stages. The KMP recognizes rhythms in movements as Tension Flow Rhythms（TFR）. To observe and notate TFR is a common, and by far the most specific, feature among other movement analyses, like the Laban Movement Analysis （LMA）. However, it takes time to acquire notation skills, such as drawing TFR lines with Kinesthetic Empathy and classifying into each factor. In this pilot study, a simplified analysis approach was used to extract the rhythms from video observation, without notating the lines. A KMP analyst and the Movement Pattern Analysis（MPA） expert who had completed the KMP introductory course tried to identify the Pure Rhythms（PR） among the TFR by observing the video together. Then, a KMP expert also analyzed the same video clips using the original KMP analytic method. The number of PR was compared between the original approach and the simplified approach. Only one PR was completely the same among all ten of the PR. The other nine PRs were different. This disconformity was attributed to the differences in how PR was counted, and not to observational perspectives. The seven kinds of PR were caused by the rhythm line shapes, such as being narrow or wide in horizontal width.The two kinds of PR were caused by counting together and including factors in the Mixed Rhythms as PR.Despite these differences, it is speculated that the simplified analytic approach would be useful in understanding the overall appearance balance of TFR. This may have new possibilities for the generalization of KMP in various fields. |
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| 言語 | en | |||||||||||
| 書誌情報 |
ja : 武庫川女子大学紀要 en : The bulletin of Mukogawa Women's University 巻 69, p. 21-28, 発行日 2022-03-08 |
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| 出版者 | ||||||||||||
| 出版者 | 武庫川女子大学 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||
| 収録物識別子 | 2435-4848 | |||||||||||
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| 収録物識別子タイプ | EISSN | |||||||||||
| 収録物識別子 | 2759-2650 | |||||||||||
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| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AA12889706 | |||||||||||
