{"created":"2023-05-15T12:07:22.479902+00:00","id":2238,"links":{},"metadata":{"_buckets":{"deposit":"c7f67883-29fe-4b8a-8829-01556666d852"},"_deposit":{"created_by":16,"id":"2238","owners":[16],"pid":{"revision_id":0,"type":"depid","value":"2238"},"status":"published"},"_oai":{"id":"oai:mukogawa.repo.nii.ac.jp:00002238","sets":["223:542"]},"author_link":[],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2021-12-01","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"23","bibliographicPageStart":"18","bibliographicVolumeNumber":"9","bibliographic_titles":[{"bibliographic_title":"生活環境学研究","bibliographic_titleLang":"ja"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"　青色天然染料の色彩を考察する研究である。「藍が地球上になければ，日本の近世以前の繊維の色彩はどのようなものだったか」という問いを客観的に明らかにすることで，藍の染料としての重要性を再認識することができる。\n　本研究では，多数の染色試料の色彩データ（CIELAB）を用いて，藍で染められる色彩の特徴を示した。絹とセルロース繊維の藍で染まるそれぞれの色の違いを示した。また，藍以外の青色を染めうる天然染料・顔料として，ログウッド，プルシアンブルーなどで染まる色彩を示し，藍の色と比較した。\n　以下のことが明らかになった。絹とセルロース繊維では藍で染まる色が異なる。ログウッドで染まる青色は鈍く，プルシアンブルーで染まる青色は鮮やか，クサギで染まる青色は淡く，藍染めで染まる多様な青色のうち，一部の青色のみが得られた。冒頭の問いを「武家装束着用之図」を用いて視覚的に表現した。","subitem_description_language":"ja","subitem_description_type":"Abstract"},{"subitem_description":"　This study tries to answer the question,“What would the colors of pre-modern Japanese textiles have been like if indigo had not existed?”. The answer reaffirms the importance of indigo as a natural blue dye.\n　In this study, color data (CIELAB) of a large number of dyed samples were used to show the characteristics of colors dyed with indigo. The differences in  color between silk and cellulose fibers dyed with indigo were revealed and compared with colors produced by natural dyes and pigments other than indigo, such as logwood and Prussian blue.\n　The findings showed that silk and cellulose fibers dyed with indigo differed from the colors produced by other natural dyes. The blue color from logwood was dull, that from Prussian blue was vivid, and that from Kusagi (harlequin glory-bower) was pale. This indicates that if there had been no indigo, only a limited range of blue could be expressed. To answer our question, we visually present our findings by depicting the color differences of samurai costumes.","subitem_description_language":"en","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14993/00002195","subitem_identifier_reg_type":"JaLC"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"武庫川女子大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA12639232","subitem_source_identifier_type":"NCID"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"古濱, 裕樹"},{"creatorName":"コハマ, ユウキ","creatorNameLang":"ja-Kana"},{"creatorName":"KOHAMA, Yuki","creatorNameLang":"en"}]},{"creatorNames":[{"creatorName":"坂本, ゆか","creatorNameLang":"ja"},{"creatorName":"サカモト, ユカ","creatorNameLang":"ja-Kana"},{"creatorName":"SAKAMOTO, Yuka","creatorNameLang":"en"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-01-19"}],"displaytype":"detail","filename":"P18-23.pdf","filesize":[{"value":"1.2 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"P18-23.pdf","objectType":"fulltext","url":"https://mukogawa.repo.nii.ac.jp/record/2238/files/P18-23.pdf"},"version_id":"0faeca92-e736-4e3f-931c-a53f3343ec87"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"染色","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"藍","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"天然染料","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"色彩","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"青","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"天然染料における藍の色彩的価値―藍が存在しなかった場合の日本の色―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"天然染料における藍の色彩的価値―藍が存在しなかった場合の日本の色―","subitem_title_language":"ja"},{"subitem_title":"Studies on the Value of Indigo Color in Natural Dyes ―The Japanese Color Scheme Without Indigo","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"16","path":["542"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-01-19"},"publish_date":"2022-01-19","publish_status":"0","recid":"2238","relation_version_is_last":true,"title":["天然染料における藍の色彩的価値―藍が存在しなかった場合の日本の色―"],"weko_creator_id":"16","weko_shared_id":-1},"updated":"2024-09-06T04:29:24.456331+00:00"}