{"created":"2023-05-15T12:06:26.091956+00:00","id":1026,"links":{},"metadata":{"_buckets":{"deposit":"f126f207-fe8c-4d80-9a9a-b85f25e82959"},"_deposit":{"created_by":17,"id":"1026","owners":[17],"pid":{"revision_id":0,"type":"depid","value":"1026"},"status":"published"},"_oai":{"id":"oai:mukogawa.repo.nii.ac.jp:00001026","sets":["245:266"]},"author_link":["4135"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2017-03-31","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"30","bibliographicPageStart":"21","bibliographicVolumeNumber":"64","bibliographic_titles":[{"bibliographic_title":"武庫川女子大学紀要. 人文・社会科学編"}]}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"Artists face the elements of“ time and space” in the creative process. Takahiko Iimura(1937-) has been a pioneer artist of Japanese experimental films and video clips. He dedicated his life to searching for“ time” of art work.“ MA: Space/Time in the Garden of Ryoan-Ji” was completed as a joint work by Takahiko Iimura　and Arata Isozaki. He said that Bergson’s“ durée” is closer to the concept of time in the East， which regards time as duration rather than a divisible unit. If one regards the concept of Japanese“ MA” as an indivisible state of time and space， it can be said to have a common ground with Bergson’s“ durée”","subitem_description_type":"Abstract"}]},"item_10002_identifier_registration":{"attribute_name":"ID登録","attribute_value_mlt":[{"subitem_identifier_reg_text":"10.14993/00001012","subitem_identifier_reg_type":"JaLC"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN10187266","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0916-3115","subitem_source_identifier_type":"ISSN"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"藤井, 達矢"},{"creatorName":"フジイ, タツヤ","creatorNameLang":"ja-Kana"},{"creatorName":"FUJII, Tatsuya","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2017-04-24"}],"displaytype":"detail","filename":"D09141_69001815_3藤井達矢.pdf","filesize":[{"value":"1.1 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"p21-30.pdf","url":"https://mukogawa.repo.nii.ac.jp/record/1026/files/D09141_69001815_3藤井達矢.pdf"},"version_id":"24136344-babd-4544-a387-5f267e435bb0"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"美術表現の時間性をめぐる考察－飯村隆彦の捉えた〈間〉－","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"美術表現の時間性をめぐる考察－飯村隆彦の捉えた〈間〉－"},{"subitem_title":"A Study on Time of Art Expression:The Concept of Japanese“ MA” Framed by Takahiko Iimura","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"17","path":["266"],"pubdate":{"attribute_name":"公開日","attribute_value":"2017-04-24"},"publish_date":"2017-04-24","publish_status":"0","recid":"1026","relation_version_is_last":true,"title":["美術表現の時間性をめぐる考察－飯村隆彦の捉えた〈間〉－"],"weko_creator_id":"17","weko_shared_id":17},"updated":"2023-05-15T13:03:03.591351+00:00"}