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洛中洛外図屏風に見る芝居小屋の研究
https://doi.org/10.14993/00000485
https://doi.org/10.14993/0000048556f0b435-e0b7-45da-8392-9f639eb98aeb
名前 / ファイル | ライセンス | アクション |
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P065-071.pdf (1.3 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2009-10-22 | |||||
タイトル | ||||||
タイトル | 洛中洛外図屏風に見る芝居小屋の研究 | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | Study of playhouse in RAKUTYU-RAKUGAI folding screen | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.14993/00000485 | |||||
ID登録タイプ | JaLC | |||||
著者 |
古田, 宣子
× 古田, 宣子× 森, 幹雄× Furuta, Nobuko |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The European style theaters were taken since Meiji Restoration. And the proscenium arch had been stet up in Japan. However,the spectators watch the stage from the picture frame in those theater. Then performing arts are confronted with sepctators,and it appreciates. Spectator’s eyes doesn’t intersect and there is no participation in the play space. It tends to separate the performer and the spectator. Then,how about the theater in former Japan? In this study,the playhouse that had been drawn in RAKTYU-RAKUGAI folding screen was analyzed,and verified. | |||||
書誌情報 |
武庫川女子大学紀要. 自然科学編 巻 56, p. 65-71, 発行日 2009-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0916-3123 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10187277 |