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美術表現の時間性をめぐる考察-飯村隆彦の捉えた〈間〉-
https://doi.org/10.14993/00001012
https://doi.org/10.14993/00001012f88ef40c-f668-4bcb-9e41-f50b3f289298
名前 / ファイル | ライセンス | アクション |
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p21-30.pdf (1.1 MB)
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-04-24 | |||||
タイトル | ||||||
タイトル | 美術表現の時間性をめぐる考察-飯村隆彦の捉えた〈間〉- | |||||
タイトル | ||||||
言語 | en | |||||
タイトル | A Study on Time of Art Expression:The Concept of Japanese“ MA” Framed by Takahiko Iimura | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
ID登録 | ||||||
ID登録 | 10.14993/00001012 | |||||
ID登録タイプ | JaLC | |||||
著者 |
藤井, 達矢
× 藤井, 達矢 |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | Artists face the elements of“ time and space” in the creative process. Takahiko Iimura(1937-) has been a pioneer artist of Japanese experimental films and video clips. He dedicated his life to searching for“ time” of art work.“ MA: Space/Time in the Garden of Ryoan-Ji” was completed as a joint work by Takahiko Iimura and Arata Isozaki. He said that Bergson’s“ durée” is closer to the concept of time in the East, which regards time as duration rather than a divisible unit. If one regards the concept of Japanese“ MA” as an indivisible state of time and space, it can be said to have a common ground with Bergson’s“ durée” | |||||
書誌情報 |
武庫川女子大学紀要. 人文・社会科学編 巻 64, p. 21-30, 発行日 2017-03-31 |
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ISSN | ||||||
収録物識別子タイプ | ISSN | |||||
収録物識別子 | 0916-3115 | |||||
書誌レコードID | ||||||
収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10187266 |